Bronte Sisters - A "Novel" Family

In her daring first novel, the youngest Brontë sister drew upon her own experiences to tell the unvarnished truth about life as a governess. Like Agnes Grey, Anne Brontë was a young middle-class Victorian lady whose family fortunes had faltered. Like so many other unmarried women of the nineteenth century, Brontë accepted the only "respectable" employment available--and entered a world of hardship, humiliation, and loneliness. Written with a realism that shocked critics, this biting social commentary offers a sympathetic portrait of Agnes and a moving indictment of her brutish and haughty employers. Separated from her family and friends by many miles, paid little more than subsistence wages, Agnes stands alone--both in society at large and in a household where she is neither family member nor servant. Agnes Grey remains a landmark in the literature of social history. In addition to its challenge to the era's chauvinism and materialism, it features a first-person narrative that offers a rare opportunity to hear the voice of a Victorian working woman.

When the mysterious and beautiful young widow Helen Graham becomes the new tenant at Wildfell Hall, rumours immediately begin to swirl around her. As her neighbour Gilbert Markham comes to discover, Helen has painful secrets buried in her past that even his love for her cannot easily overcome.

The Professor is Charlotte Brontës first novel, in which she audaciously inhabits the voice and consciousness of a man, William Crimsworth. Like Jane Eyre he is parentless; like Lucy Snowe in Villette he leaves the certainties of England to forge a life in Brussels. But as a man, William has freedom of action, and as a writer Brontë is correspondingly liberated, exploring the relationship between power and sexual desire. William's first person narration reveals his attraction to the dominating directress of the girls' school where he teaches, played out in the school's 'secret garden'. Balanced against this is his more temperate relationship with one of his pupils, Frances Henri, in which mastery and submission interplay. The Professor was published only after Charlotte Brontës death; today it gives us a fascinating insight into the first stirrings of her supreme creative imagination.

Jane Eyre, a penniless orphan, is engaged as governess at Thornfield Hall by the mysterious Mr Rochester. Her integrity and independence are tested to the limit as their love for each other grows, and the secrets of Mr Rochester's past are revealed. Charlotte Brontë's novel about the passionate love between Jane Eyre, a young girl alone in the world, and the rich, brilliant, domineering Rochester has, ever since its publication in 1847, enthralled every kind of reader, from the most critical and cultivated to the youngest and most unabashedly romantic. It lives as one of the great triumphs of storytelling and as a moving affirmation of the prerogatives of the heart in the face of disappointment and misfortune. Jane Eyre has enjoyed huge popularity since first publication, and its success owes much to its exceptional emotional power.

Shirley is Charlotte Bronte's only historical novel and her most topical one. Written at a time of social unrest, it is set during the period of the Napoleonic Wars, when economic hardship led to riots in the woollen district of Yorkshire. A mill-owner, Robert Moore, is determined to introduce new machinery despite fierce opposition from his workers; he ignores their suffering, and puts his own life at risk. Robert sees marriage to the wealthy Shirley Keeldar as the solution to. his difficulties, but he loves his cousin Caroline. She suffers misery and frustration, and Shirley has her own ideas about the man she will choose to marry. The friendship between the two women, and the contrast between their situations, is at the heart of this compelling novel, which is suffused with Bronte's deep yearning for an earlier time.

"A still more wonderful book than Jane Eyre." –George Eliot   "Her best novel." –Virginia Woolf   Charlotte Bronte’s final and most autobiographical novel—even more critically acclaimed than Jane Eyre during its time—is a brilliant story of repressed passion and unrequited love in the fictional city of Villette. Lucy Snowe is a young woman alone in the world. Running from a dark past, with no home, no family, and no prospects, Lucy trades her English homeland for the French-speaking city of Villette. She finds work at a boarding school for girls, where she encounters both intrigue and isolation. When a handsome man from her past appears in Villette, Lucy believes she may at last be free of loneliness—if her rigorous self-control doesn’t thwart her true hopes.   Based on Charlotte Bronte’s own experiences at a boarding school in Belgium, Villette is an intense psychological portrait of its heroine, a woman who so strenuously tries to hide her passions that she cannot help but reveal them.

This is the story of the savage, tormented foundling Heathcliff, who falls wildly in love with Catherine Earnshaw, the daughter of his benefactor, and the violence and misery that result from their thwarted longing for each other. A book of great power and strength, it is filled with the raw beauty of the moors and an uncanny understanding of the terrible truths about men and women....

Emily Bronte's poetry is more often celebrated than read. This book seeks to reinstate her poems at the heart of Victorian writing while underlining their enduring relevance for readers today. For admirers of Wuthering Heights, Last Things will bring the concerns and methods of the novel into sharper focus by relating them to the poems. Ironically, the very uniqueness of her poems has made them less interesting to current feminist critics than other poems written by Victorian women.a It pre"

“ READER, I BURIED HIM . ” A timeless tale of love,  devotion . . . and the undead.   Jane Slayre, our plucky demon-slaying heroine, a courageous orphan who spurns the detestable vampyre kin who raised her, sets out on the advice of her ghostly uncle to hone her skills as the fearless slayer she’s meant to be. When she takes a job as a governess at a country estate, she falls head-over-heels for her new master, Mr. Rochester, only to discover he’s hiding a violent werewolf in the attic—in the form of his first wife. Can a menagerie of bloodthirsty, flesh-eating, savage creatures-of-the-night keep a swashbuckling nineteenth-century lady from the gentleman she intends to marry? Vampyres, zombies, and werewolves transform Charlotte Brontë’s unforgettable masterpiece into an eerie paranormal adventure that will delight and terrify.  

Great Britain circa 1985: time travel is routine, cloning is a reality (dodos are the resurrected pet of choice), and literature is taken very, very seriously. Baconians are trying to convince the world that Francis Bacon really wrote Shakespeare, there are riots between the Surrealists and Impressionists, and thousands of men are named John Milton, an homage to the real Milton and a very confusing situation for the police. Amidst all this, Acheron Hades, Third Most Wanted Man In the World, steals the original manuscript of Martin Chuzzlewit and kills a minor character, who then disappears from every volume of the novel ever printed! But that's just a prelude . . . Hades' real target is the beloved Jane Eyre, and it's not long before he plucks her from the pages of Bronte's novel. Enter Thursday Next. She's the Special Operative's renowned literary detective, and she drives a Porsche. With the help of her uncle Mycroft's Prose Portal, Thursday enters the novel to rescue Jane Eyre from this heinous act of literary homicide. It's tricky business, all these interlopers running about Thornfield, and deceptions run rampant as their paths cross with Jane, Rochester, and Miss Fairfax. Can Thursday save Jane Eyre and Bronte's masterpiece? And what of the Crimean War? Will it ever end? And what about those annoying black holes that pop up now and again, sucking things into time-space voids . . .